Last night was a fantastic way to kick off the summer concert season in some incredible weather. We headed up to Merriweather to catch My Morning Jacket. As previously blogged, they had the Preservation Hall Jazz Band opening for them. Both bands delivered the goods and it really was a wonderful time all around.
We had a great crew and, with the warm sunny weather, the tailgating extended a little bit into the Preservation Hall set. But we did manage to get in there for their last 4 or 5 songs, a few of which featured Jim James on vocals. Delivered through a megaphone, no less, which added an old-timey carnival feel. I wish we had caught their entire set, but like I said - we had a good team, good weather, and strong drink…so no real complaints there!
I was curious whether MMJ would acknowledge the Kentucky Derby, since they hail from Louisville. Sure enough, they had a lone trumpeter come onstage and kick off their set with the Kentucky Derby bugle call. Pretty fun way to start things off. The band walked onstage and went immediately into “One Big Holiday.” Zero to 100 mph…a robust set opener for sure!
They really came in hot at the starting of the show, blasting through several of the big guns from their repertoire: “One Big Holiday,” “Gideon,” “Off the Record,” “I’m Amazed,” and “Mahgeetah.” At this point, I was openly making assertions about MMJ being the current great American rock band. I mean, they really bring it in the live show department, and they’re getting to the point where they have a deep song catalog to pick from.
The band sounded great. The sound mix was well-balanced and very clean. Every instrument was coming through and I never once felt like I wished I could hear the bass more or the keyboard more or anything like that. And yes, that is stuff I often think about at shows. But the sound engineer was on point and everything was clean and clear. MMJ has a lot of different facets to their sound, and while they generally “rock out” in the live setting, they are not always just guitar-driven. There is the spacey-ness and the electronic textures and always James’ ethereal vox floating above it all. But when it’s time to rock out, James still straps on the Flying-V and gets after it.
The encore fulfilled my hopes of getting the Preservation Hall Jazz Band to lay down some horn arrangements with the MMJ boys. A massive “Dancefloors” was the centerpiece of the encore, and was really great. This is one of my favorite MMJ tunes, and it is going to be hard now to see it live without the horns. It was big, brassy, and boisterous. And I would have been perfectly fine with that being the last number. But they had one more trick up their sleeves and kept the horns onstage for a romp through “Move on Up” by Curtis Mayfield. Very nice.
Pretty safe to say that everyone was leaving with smiles on their faces as the crowd streamed back outside into the summery night. Good times. If you get a chance to catch this tour, it’s certainly worth catching.